On Slow Looking, a Note From Elin Pallowmere
Our founding director on the forty-minute rule: one work, one bench, no phone — and what happens in minute thirty.
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From the desk.
Notes from the gallery: what we’re looking at, what the artists are thinking, and what happens on studio visits that never make it into the catalogue.
Ingrid Solberg on Returning to the Studio After Five Years
“I had forgotten how physical it is.” A conversation about pause, orange grounds and starting over.
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Morning in the Studio With Ren Ishida
Tea, brass pivots and eleven small bronzes learning to breathe — notes from four days in the foundry town.
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